The material contrast matters more than brightness: pale pigment becomes opaque, dusty, and tactile when the surface beneath it is dark.
Chalk carries color inside a pale mineral body. Rose, sky blue, mint, and yellow therefore arrive with opacity and a dry edge rather than the clarity of ink or light.
Dark slate is not another stick in the box; it is the surface that makes the powder visible. Mineral white shows the material at its simplest, before added pigment changes its hue.
